It’s easy to feel regrets at the end of what has become something of a marathon festival. The speed with which everyone in the media is now expected to respond to the films one sees in Cannes is harsh on films that take time to sink in properly and kind to the sensory bombardment variety. I was flat out with work, parties and little sleep for the whole festival, and took its toll. Eventually being taken to hospital by ambulance after nearly collapsing from the excesses. Having said that, I have a hugely successful festival. Oh, the irony.
In the end, Migrant drama Dheepan has taken the Palme d’Or, the top award at the Cannes film festival in France.
The film is about a trio of Sri Lankans who pretend to be a family in order to flee their war-torn country to go to France.
It was selected by a jury led by Joel and Ethan Coen.
The film’s French director Jacques Audiard told the closing ceremony: “I’m thinking of my father. I’m very moved. Winning a prize from the Coen brothers is something that is exceptional.”
The runner-up prize, the Grand Prix, went to Son of Saul, a Hungarian drama about the Holocaust by first-time director László Nemes.
The winner of the best director award went to Taiwanese filmmaker Hou Hsiao-Hsien for The Assassin.
The best actress prize was split between Rooney Mara of 1950s lesbian drama Carol, and Emmanuelle Bercot, the French star of marriage drama My King.
France’s Vincent Lindon won the best actor for his part in La Loi du Marché (The Measure of a Man).