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The Last Word, directed by Maxim Didenko and starring Alisa Khazanova, is a gripping and timely exploration of political oppression in Russia. This one-hour multimedia performance brings to life the final courtroom statements of women persecuted for their activism against Putin’s regime. In an era where free speech is increasingly under threat, the play offers an unflinching portrayal of courage and resistance.

The narrative centres on the real-life testimonies of figures like Maria Alyokhina and Nadezhda Tolokonnikova of Pussy Riot, editor Alla Gutnikova, and artist Yulia Tsvetkova. These women, who have been jailed or exiled for their dissent, stand as symbols of defiance against a system designed to silence them. The play skilfully weaves their words with poetry, songs, and memoir excerpts, creating a multifaceted portrayal of their struggle.

Khazanova delivers an extraordinary performance, embodying each woman with emotional depth and precision. Her ability to shift between roles while maintaining the intensity of each story is remarkable, drawing the audience into the personal and political turmoil these activists face. Maxim Didenko’s direction enhances this with minimalist staging and sharp pacing, ensuring the focus remains on the words and their emotional weight.

Visually, The Last Word is haunting. The stark set and evocative lighting, combined with Oleg Mikhailov’s videography, create an atmosphere of claustrophobia and surveillance. The use of multimedia projections, particularly close-ups of Khazanova’s face, amplifies the emotional intensity, making the audience feel as if they are witnessing each testimony in real time.

Emotionally, the play is relentless. The weight of the women’s words is felt deeply, and the lack of relief mirrors the grim reality of their situations. While the play is heavy, it is impossible to leave without being moved by the courage of these women and the injustices they endure.

The Last Word feels bold and relevant, albeit at time overwhelming due to its intense focus on suffering. Yet, this very intensity is what makes the play such an urgent piece of theatre.

In conclusion, The Last Word is essential viewing for anyone interested in human rights, political activism, or theatre that pushes boundaries. It offers an unflinching portrayal of repression, combined with stunning performances and direction, and is highly recommended for those seeking both an emotional and intellectual experience. Like the women in The Last Word, this play demands to be seen and heard.

Runs at Marylebone Theatre until 21 September

Address: Rudolf Steiner House, 35 Park Road, London, NW1 6XT

Tickets: https://www.marylebonetheatre.com/

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